As previously trailed, four of my pictures are in a Classic Magazines special 'bookazine' about the RAF involvement in the Allied invasion of Europe, published to mark the 70th anniversary this June.

There is other marvellous contemporary artwork alongside archive photos in 132 packed pages of history. (The cover features a painting of Spitfires by Robert Taylor).

The bookazine was compiled by historian Clive Rowley ( ex-fighter pilot and O/C the RAF's Battle of Britain Memorial Flight) and is published by Mortons. You can find it on this link.

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 TO BUY PRINTS  of any of my works please visit www.flightartworks.com.

I do private commissions, for individual aircraft or bigger scenes. Publishers' enquiries are also welcome: many images are available already to license through the Alamy agency.

To get in touch visit the Contact page on my website. Find Flight Artworks on Facebook, and on Twitter @flightartworks.

Related articles

D-Day pictures set for publication

'Crossing the Siegried Line' © by Gary Eason / Flight Artworks

High Wycombe, 31 Jan 2014

These pictures began life at an airshow.

I did not set out with the idea of making a 'Phoney War' picture, let alone two - in fact I knew little about that early period of World War Two.

What triggered the research that led to the pictures' being made was having the beautifully restored Hawker Hurricane P3351 in my camera viewfinder at the Imperial War Museum's  'Flying Legends' airshow at Duxford in July 2013.  

This venerable crate has had a remarkably colourful life but is now resplendent in the black/white/bare metal undersides it began with in 1940. One could write a book about the aircraft itself - somebody probably has - but it was the camouflage scheme (if camouflage is quite the word) that piqued my interest.

I knew already - witness the logo I use on social media - that the RAF had some peculiar ideas about how to paint the undersides of its fighter aircraft at the onset of hostilities with Nazi Germany. Captivated by the black and white scheme in my pictures of the Hurricane, I started reading up on its history and that of the two RAF Hurricane squadrons attached to the Advanced Air Striking Force near the Franco-German border, No 1 and No 73.

This led to my learning about the short but remarkable fighting career of Flying Officer Edgar James 'Cobber' Kain of the Royal New Zealand Air Force (RNZAF).  Kain's squadron, No 73, was based at Rouvres-en-Woëvre, a village about 35 miles from the frontier.

'Finest fighting spirit'

This phase of the war was characterised by aerial skirmishes - which is not to minimise the deadly nature of what the pilots were engaged in. On 2 March 1940, Kain and another pilot (Donald Sewell) gave chase to seven Heinkel bombers but after a few minutes they were pounced on from behind by a pair of Messerschmitt Bf 109 fighters.

What resulted was an action for which Kain was awarded the DFC (Distinguished Flying Cross). The official citation read:

"In March, 1940, while on patrol with another aircraft, Flying Officer Kain sighted seven enemy bombers about 5000 feet above him, and while giving chase well into Germany, he was attacked from behind by an enemy fighter. Showing the finest fighting spirit, this officer out-manoeuvred the enemy and although his own aircraft was badly damaged he succeeded in bringing the hostile aircraft down. Thick smoke and oil fumes had filled his cockpit and although unable to see his compass, he skillfully piloted his aircraft inside Allied lines in spite of being choked and blinded by the smoke."

I wanted to know more about what had happened. At this point let me plug a book: Cobber Kain, by Richard Stowers, a terrific read and a beautifully produced publication with plenty of photographs from the time. I e-mailed Richard in New Zealand with some detailed queries and he was as helpful as he could be in reply.

For example, I knew I needed to tweak the Hurricanes' appearance to restore them to Mk I configuration and earlier roundels. But I was wondering whether I should be rendering them with the early two-bladed props or the three-bladed ones that were being introduced. H

Richard said: "My research tells me Kain was flying L1808, which was a three-blader as Sewell stated he couldn't keep up with Kain because he was flying a two-blader (L1958)."

Cockpit filled with fumes

So back to the story: Kain did not immediately realise that Sewell, with his less powerful  airscrew, was no longer keeping station behind him. Glancing back he saw an aircraft where he expected the second Hurricane to be and assumed that was him. He got a rude surprise, as Richard Stowers's book recounts:

"'The next thing I knew was 'wang' and I saw the tip of my wing disappearing into the blue.'"

It had been hit by cannon fire. Kain then realised that Sewell had already been shot down (he managed to land safely - in my picture you can just see him far below, trailing white vapour).

Kain was now in a twisting dogfight with the two 109s. Eventually he was able to fire "a longish burst from behind" into one of them, sending it down in black smoke. But the other got on his tail and blew a big hole in his Hurricane's engine - sending oil all over the windscreen and fumes into the cockpit.

He tried to chase the 109 as it flew past him but had lost engine power. He expected his foe  "to come back and teach me to play the harp" - but for whatever reason, perhaps lack of ammunition, he did not.

Collapse

So there was Kain, far behind enemy lines with a dead engine and a cockpit filling with smoke. He opened the canopy to jump out - but realised his parachute harness had come off his shoulder.

So he got back in and, incredibly, glided some 30 miles to Metz aerodrome where he made a force landing. He clambered out of the badly damaged Hurri - and promptly collapsed, to be rescued by some French soldiers.

Quite a tale, and that is was I decided to make a picture about. Happily I had in my collection of cloudscapes a suitable background photo taken in roughly the same area and altitude.

I also had a lower level photo of the French countryside for the other picture in this sequence. This began as a sketch about events on 26 March when there was a bigger aerial combat - during which Kain, with shrapnel in his leg,  did bale out of his burning aircraft:

You can see how this overlaps with the finished item at the top of the page. But in playing around with compositions I had already decided that I really liked the effect of a 'vic' cluster of the black and white Hurricanes - reminding me for all the world of a shoal of tropical fish we used to have in a tank when I was a child:  

'Rising to the challenge' © by Gary Eason / Flight Artworks

So rather than carve out a dogfight I thought I would show the beginnings of the action, and that is how the second picture came to be made.

Soon Eddie Kain had notched up five aerial victories becoming the RAF's first "ace" of the war, feted in the British newspapers and interviewed on the BBC.

In May the Battle of France began. Kain rapidly achieved further combat successes and his total had risen to 17 when, exhausted, he was ordered back to England in early June.

Kain said his farewells to his squadron but as he was leaving decided to do some low-level aerobatics over the airfield. He slammed into the ground doing a third flick roll, was flung out of his exploding Hurricane and killed outright.

He was a few weeks short of his 22nd birthday.

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 TO BUY PRINTS  of any of my works please visit www.flightartworks.com.

I do private commissions, for individual aircraft or bigger scenes. Publishers' enquiries are also welcome: many images are available already to license through the Alamy agency.

To get in touch visit the Contact page on my website. Find Flight Artworks on Facebook, and on Twitter @flightartworks.

Part of the D-Day series: 'Free French' RAF Bostons on a low-level strike prior to the invasion © by Gary Eason / Flight Artworks

High Wycombe, 6 Jan 2014

A Happy New Year. I wonder what 2014 will bring? Well, for one thing, the 70th anniversary on 6 June of D-Day. I have been concentrating in recent months on pictures featuring the RAF's involvement before, during and after the Allied invasion of Normandy in 1944.

My initial idea last summer was to build up a body of work ahead of the anniversary. This was given added impetus when I was contacted by aviation historian and author Clive Rowley, who had used two of my pictures in a previous anniversary special magazine ('bookazine') that he had authored about the Dambusters, which had to be reprinted to meet demand. 

He said he had been asked by the publisher, Mortons, to compile a similar 'special' about the RAF's involvement in D-Day. Would I like to be involved? 

I worked at several pictures and showed them to him in October. He was very enthusiastic. I carried on, and when it came to my 'big picture' featuring D-Day itself, he made suggestions for squadrons and indeed a whole scenario that would tick plenty of RAF boxes: Operation Mallard. 

This was the successful effort on the evening of 6 June to deliver the second wave of British 6th Airborne Division troops by glider to the Caen area, the first having dropped by parachute overnight. It offered me: the gliders and their 'tugs' - I settled on Horsas and Short Stirlings - and the escorts, which included Spitfires and Mustangs.

I wanted to work in some Hawker Typhoons too. None were directly involved in Mallard, from what I can tell, but some were on an armed reconnaissance at the same time.

Video: Making D-Day

Researching the details of the squadrons that participated then building up the various elements and melding them into a coherent composition took me several weeks. The research alone involved many hours of browsing online, reading books, downloading squadron operation records and correspondence to establish the details.

If you are going to depict aircraft in a particular action you have to know which aircraft they were. It is not enough to read, for example, that 15 squadrons of RAF fighters escorted the various heavy aircraft that towed the gliders over to the Caen area on the evening of D-Day. I needed to establish which squadrons they were, then to figure out which of their aircraft were operational that day and what code letters (and ideally also serial numbers) they carried - which is not easy, as anyone who has tried it will attest. 

'The realism ... is uncanny'

Finally it was done, and I am delighted to say that Mortons have licensed four of my pictures for their 'special' which is due to be published early this year. Until it appears I will not know for sure what if anything they have made of them, but it was great to be one of those asked to contribute. 

Clive Rowley struck me as a helpful, unassuming and thoughtful person to work with. If his name is familiar, that is probably because Squadron Leader Rowley MBE RAF (Retd) was formerly Officer Commanding the RAF Battle of Britain Memorial Flight.

He very generously said of my work: "From my point of view as a pilot for the last 43 years and a RAF fighter pilot for 30 years, the realism he captures is uncanny, starting with the backgrounds, the skies and the light, and then in the detail of the aircraft that are the subjects.

"It is as if the quality of a modern digital camera was there at the actual wartime event, in a ‘photo-ship’, all those decades ago."

If you have read previous blog entries of mine you will know that this is just what I set out to do when I began Flight Artworks two years ago, so it was very gratifying to see this observation from someone with so much firsthand aviation experience. 

Clive added: "The superb detail and accuracy in his images are the result of Gary's extensive research and his desire to get history right, to accurately represent the actual event". 

Coming up

That is very kind - but time for a reality check. As a journalist I am always conscious of becoming an 'expert' for a day or a week. I rely on people with infinitely more knowledge of particular subjects to keep me straight. So, if you see something in my pictures that is not quite right, please do let me know. 

I am still working on other D-Day images. I've become something of a fan of Hawker Typhoons. I have already published a picture of Tiffies from No. 247 Squadron going into an attack dive. I plan at least two more featuring the devastating impact of these beasts on German troops - even if it was psychological rather than material. And I am learning more than I would have expected about German armour. Other subjects wearing invasion stripes will follow. 

I am pulling together the series on my website.

But for now: my thanks to Clive and to Mortons, and here's wishing us all a successful year. 

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 TO BUY PRINTS  of any of my works please visit www.flightartworks.com.

I do private commissions, for individual aircraft or bigger scenes. Publishers' enquiries are also welcome: many images are available already to license through the Alamy agency.

To get in touch visit the Contact page on my website. Find Flight Artworks on Facebook, and on Twitter @flightartworks.

Allan Wright's Spitfire R6596, August 1940 

High Wycombe, 12 Feb 2013

Someone saw this picture on Facebook and asked what the yellow diamond shape was on the port wing.  A gas detector patch. 

His further comment prompted me to write this article. He said: 

"Of all the time I have studied, built, and cherished this time in History - this is the first time I have seen this! Thank you!"

When I was commissioned to make this Spitfire portrait I found, in one of the splendid Alfred Price Aces... books a (typically low quality) contemporary black and white side view of R6596, which is how I know that it had such large QJ-S lettering - and that peculiar big and non-standard fuselage roundel with its acres of white. Although not unique, this was unlike even the one on the aircraft alongside it. I've not seen any other profile of R6596 that gets this right.

The wing surface is indistinct in the picture so to an extent the gas patch is an educated guess. But they were on very many military aircraft and vehicles/equipment of all sorts in 1940. And see, for example, the still flying Spitfire P7350 of the Battle of Britain Memorial Flight. Sometimes placed as a diamond, like this one, other times square on to the fuselage, typically attached with red doped strips.

The aerial wires are also deduction. The new type of VHF equipment did not go into general service until September onwards, and this is August. So the aircraft retains the aerial wire from the mast to the fin. It would not yet have wires for the IFF equipment running from the fuselage roundel to the outer leading edge of the tailplanes. See info on The Spitfire Site.

Spitfire wing variants are a bit of a nightmare for modellers of any kind, but fairly straightforward on this aircraft (I think!). Elevators: older type without the 'horns'; and like the ailerons at this time, fabric covered (the details are in my picture though you probably cannot make them out at this resolution).

Incidentally, looking at the tail fin in that old photo of R6596, it does appear that the red-white-blue flash colours are reversed, i.e. blue-white-red. This is a guess from the greyscale picture. This would not be unknown but certainly very odd, so in the end I stuck with convention on that detail.

Why bother with this level of accuracy? Because that is what Flight Artworks is all about. So please do let me know if you see something in a picture that you think I have got wrong. I will thank you for it.

---------------------------

 TO BUY PRINTS  of any of my works please visit www.flightartworks.com.

I do private commissions, for individual aircraft or bigger scenes. Publishers' enquiries are also welcome: many images are available already to license through the Alamy agency.

To get in touch visit the Contact page on my website. Find Flight Artworks on Facebook, and on Twitter @flightartworks.

Related articles

Focus on specifics

Seeing the lights

"Headlong attack" © Gary Eason / Flight Artworks

High Wycombe, 11 Jan 2013

I have been remiss in updating the blog but that is partly because I've spent time getting a Flight Artworks page on Facebook off the ground. It has accrued some 200 'likes' as I write. 

There have been some very nice comments and so far as one can tell some resulting picture sales, which is a bonus. People have been kind enough to share some of the pictures on their own pages too, so that it has apparently touched the lives of more than 71,000 people, according to the statistics I get.

The other reason for not having written more is that I have been making more pictures! The process of researching and making these can take weeks because I like to portray specific incidents, and if I am going to do that I like to get the details correct. 

Take the Battle of Britain picture at the top of this post. The idea for this arose from reading No. 17 Squadron’s Operations Record Book for Sunday, 25 August 1940, which mentioned:  "F/O Count Czernin attacked a bunch of Me.110s head-on and destroyed three of them.”

He did what? Further reading on the subject revealed that Czernin allegedly achieved this in less than one minute. 

Guns

Following my usual approach I wanted to 'be there' in the skies above Weymouth in Dorset on the south coast of England on that August day. Portraying Czernin's Hurricane was relatively straightforward once I had decided on the point of view - and I figured that if I was going to convey the most powerful impression of a head-on attack I needed to be right with the attacker. 

For the first time in a picture I found myself with guns blazing. This raised a whole new set of challenges. For one thing, guns generally do not actually blaze, or not in daylight anyway. Hollywood fakes it. 

I could not think of a way to ascertain for certain what the ammunition load might have been in his particular Hurricane. Reading around the subject - not least Air Chief Marshall Hugh Dowding's review of the Battle - I reckon there would not have been any tracer bullets as such. Artistically, though, I was keen to have some visible acknowledgement that the gun button was being thumbed. 

It seemed most likely to me that the smoke trails from the incendiary ammo would give the desired effect without necessitating bright streaks through the sky. 

Secondly I had to have spent cartidge cases coming from the Hurricane's wings.  I based these on the firing rate of the eight .303 calibre guns. Reckoning that this was about 1,150 rounds per minute or 19 per second, you would see about 76 spent casings being ejected from each wing. 

Models

I then had to consider whom he was shooting at. Aside from being Bf 110s this was not clear, although I did know the Luftwaffe units involved.  Hough and Richards in their history, The Battle of Britain, note that he "had a field day with the Me. 110s of I/ZG2" and this would accord with the various German casualties noted in that remarkable catalogue, The Battle of Britain - Then and Now. 

Portraying these raised another obvious problem that required a departure from my accustomed way of working to date: there simply aren't any 110s flying around to form a photographic basis for the picture. I turned to models instead, and reworked my photos of them to add greater detail, colour, digital 'noise' and some motion blur. 

The rest of the aircraft in the wider scene were more straightforward but I still had to figure out who did what to whom at about the same time that afternoon, and recreate their roles. 

The background was one of my handy stash of cloudscapes.

I worked carefully on the overall composition - as usual rearranging elements and even flipping the whole thing to see it in a different light. I'm pleased with the overall effect of aircraft flying everywhere. 

As for the principle of portraying a specific incident: I think this is the right way to go. I know others produce generic scenes and these can look splendid and be really emotive.

But for me, if I'm going to show, say, a Spitfire, then to be at all realistic it has to be a particular type and it has to have some code letters on it at least, and as soon as you do that you are into depicting an individual aircraft and, more than likely, pilot.  In any case, the specific can also be generic ("a Battle of Britain dogfight", to take the example above) but it cannot readily work the other way round. 

The upshot of this approach in the case of one of my pictures was a phone call out of the blue from the current owner of one of the aircraft featured in it - the Mk IX Spitfire MH434.

This venerable aircraft is still flying. My picture showed it as it would have been in December 1943. The owner, Sarah Hanna of The Old Flying Machine Company, wanted to use the scene as their Christmas image for 2012 and it duly appeared on the mh434.com website. 

Here's to a happy and successful 2013.